Writings about her: Valerio Utri (BO) – Valerio P. Cremolini (SP) – Vito Cracas (BA) – Alfonso Confalone (FI) – Giuseppe Livoti (RC) – Pina Porchi (RC) – Maria Antonietta Mamone (RC) – Nicola Villari (RC) – Rossana Rossomando (RC) – Domenico Cacciola (RC) – Alfredo Pasolino (BG) – Anna Grossi, Fulvio Giovannelli, Nicola Di Filippo (SA) – Carla Marino (IM) – Carlo Franza – Vito Cracas – Giuseppe De Rosa – Giorgio Falossi – Flavio De Gegorio – Letizia Panzarotti – Paolo Levi – Dino Masarà – Alessandro Costanza – Carla d’Aquino Mineo – Vittorio Sgarbi.
Reviews have been published in: “Il secolo XIX” - “La Nazione,” “Il Quotidiano,” “Il Domani di Calabria,” “La Gazzetta di Parma” in Ferrara, “Mezzoeuro,” a weekly from Calabria, “Senza Titolo,” a periodical, “JESUS,” a monthly publication on culture and religious current affairs (Year XXXII – October 2010, No. 10); “RED Magazine” – 01-02/2011, Bologna; “Corriere del Giorno” – Special Art Edition; “Poseidone” – May 2011; “Taranto Oggi” May 18, 2011; “Taranto Sera” May 18-19, 2011; “Nuovo Quotidiano di Puglia” May 19, 2011; “Ultim’ora – Culture & Society” May 21, 2011; “Poseidone” – January – August – September 2014 – “Buona Sera” - Taranto Chronicle – Culture & Entertainment – August 2014 – “Taranto Oggi” – August 2014 – etc., etc... This is a list of criticisms received regarding the art of Amelia Romeo:
VITTORIO SGARBI, at the end of 2019, certification for the works of A. Romeo
PAOLO LEVI, 2021 InWorks on paper
https://sangiorgioarte.it/artisti-paolo-levi/opere-su-carta/ricerca/romeo-genoveffa-grazia-amelia/
HE SAID: The inner essence of Amelia Romeo shines through in these works on paper, revealing a serene, transparent, and joyful spirit. Moreover, the inspiration of this artist is guided by a free imagination that does not adhere to any prepackaged critical labels, as it would be quite complex to assign her works to historical movements. At most, in my opinion, one might notice a distant surrealist influence, sometimes blended with a pop aesthetic. This interplay manifests through a remarkable confidence in line work, and in the execution of a varied and atonal color scheme, where skillful abstract formulations assert themselves in harmonious counterpoints.